Saint-Jean-Baptiste Church was built from 1858 to 1862 in the 13th century ogival style to replace a very simple small Romanesque church, built by the Bishop of Verdun from 1129 to 1131
A 19th century neo-Romanesque church to be discovered behind its red brick walls, still lively and lively thanks to the Saint-Martin de Beugnies association, which regularly organises exhibitions and events.
Charming contemporary church overlooking the Flemish plain, ideal for meditation at the entrance to the abbey of Mont des Cats, a Cistercian monastery of Trappist monks.
Rich collegiate, one of the most important testimonies of the flamboyant Gothic and Flemish Renaissance styles of the region that welcomed pilgrims who came to honour a relic of Santiago.
A small 17th century country church on the Via Francigena, at the gates of the Caps et Marais d'Opale Regional Natural Park, between the port of Calais and the hills of Flanders.
The church of Hautecloque is one of the so-called « second reconstruction » churches. Effectively, under its 16th century appearance it dates from 1959 and is the only “identical” reconstruction in the diocese.
This jewel of medieval architecture surprises by the quantity and quality of its furniture: an impressive organ buffet, a very rare astrobal clock, its important funerary heritage and the Descente de Croix de Rubens.
A majestic 19th century neo-Gothic church designed by the architect Clovis Normand, which incorporates all the characteristic elements of the original Gothic Gothic style.
Neo-Gothic seaside church built in the 19th century in the style of the 13th century with remarkable modern works, whose nave is covered by a magnificent vault in painted panelling.
The village of Koeur-la- petite housed an important fortified castle; the King of France Louis XIII had notably installed his headquarters there during the siege of Saint-Mihiel in 1635. The stones of this castle were used to build the Saint-Remi church in 1770.
In the 11th century, in the forest that was shared by the Count of Flanders on one side, on the other by the future Count of Artois, a new community developed to work wood: Libercourt.
A village church, it surprises on the outside by the particular profile of the choir overlooking the nave and on the inside by the contemporary works of the monk artists of the abbey of Wisques.
