01 April - 31 October
Mon 10.00 - 18.00
Tue 10.00 - 18.00
Wed 10.00 - 18.00
Thu 10.00 - 18.00
Fri 10.00 - 18.00
Sat 10.00 - 18.00
Sun 10.00 - 18.00
01 November - 31 March
Mon 10.00 - 17.00
Tue 10.00 - 17.00
Wed 10.00 - 17.00
Thu 10.00 - 17.00
Fri 10.00 - 17.00
Sat 10.00 - 17.00
Sun 10.00 - 17.00
This 16th-century high relief depicts the genealogy of Christ descended from Jesse, father of King David. Jesse is recognisable, asleep on a throne, the tree rising from his back to the Virgin and Child.
This family is made up of the kings of Judea, the most famous of whom is David, identifiable by his harp and the head of Goliath.
Dated 1525, this copy after Solario is the oldest work in the basilica.
This scene takes place after Salome's dance before King Herod and his guests. Charmed by the young woman, the king promises her whatever she desires. On her mother's advice, she asks for the head of Saint John the Baptist on a platter.
The chapel of the d'Amboise family, bailiffs of Chaumont, houses an exceptional 15th-century work. It depicts the burial of Christ at the moment of the anointing. The originality of the scene also lies in the number of figures: two rows surround the tomb, as opposed to the usual single row. Finally, the finesse of the workmanship can be seen in the tears of Mary Magdalene, at the Virgin's side, and in the richness of the clothes.
A famous sculptor in eastern France in the late 17th and first half of the 18th centuries, Bouchardon created the former high altar for the basilica in 1700, which can now be seen in the Rosary Chapel, as well as the pulpit and the pew reserved for the parish dignitaries. Other wooden statues in the building are also attributed to him.
Also known as the ‘Christ of Pity’, this depiction of the suffering Christ awaiting his torture after scourging appeared in the 14th century in the northern provinces. There are still several in this region and in eastern France. This iconography contrasts with the medieval image of Christ triumphant. Here, the polychrome wooden statue is accompanied by a painting of the instruments of the Passion.
For the first time since the creation of the exhibition on flora in churches, the panels will travel to churches in Haute-Marne and Vosges (members of the network) from March 2025 to January 2026...