Place Cathédrale 18
01 January - 31 December
Mon 8.00 - 17.00
Tue 8.00 - 17.00
Wed 8.00 - 17.00
Thu 8.00 - 17.00
Fri 8.00 - 17.00
Sat 8.00 - 17.00
Sun 8.00 - 17.00
Treasury: Tuesday to Saturday: 10.00 - 17.00
Sunday: 13.00 - 17.00
Cathedral : +32 4 232 61 31 (8 am -12 am) - email@example.com
Treasure : +32 4 232 61 32 (1 pm -5 pm) - firstname.lastname@example.org
The cathedral of Liege was on the place Saint Lambert for close to 10 centuries but it was destroyed during the French revolution. After this, the collegiate Saint Paul was designated as cathedral. The Gothic building was rebuilt around 1240 and finished in 1430.Up to the 19th century, the church was adorned progressively with very beautiful Gothic furnishings made by major Belgian artists and by the contribution of masterpieces by well known local artists.
The interior of the church gives an impression of space and luminosity. The pulpit is of neo-Gothic design and at its foot are six small statues one of which is a chained devil.
There are several works by the famous artist from Liege, Jean Del Cour: a lime wood statue depicting John the Baptist is in the centre and towards the rear of the main aisle. In a chapel at the back on the north side, the masterly technique and great sensitivity of this same artist is evident in the Christ recumbent on a funerary monument in white marble and two bas-reliefs which frame the altar. The bronze crucified Christ in the north collateral is by the same artist. Above the altar is a painting by Erasmus Quellin depicting four teachers of the church before the Blessed Sacrament and on the west wall is a large “Assumption” of the Virgin by Gerard de Lairesse (1687).
A cloister enclosing a pleasant garden adjoins the cathedral. The cathedral treasury holds some exceptional pieces such as the reliquary bust of Saint Lambert (1510) and that of Charles the Bold (1470).
The Sedes Sapientiae, nowadays at the entrance of the cathedral choir, comes from the demolished church of Saint-Jean Baptiste, whose rich movable heritage was transferred to Saint-Paul after the Revolution. This Virgin is one of the links in the iconographic theme of the sedes sapientiae, particularly privileged in Mosan art. Tall enough, trampling the demon, the figure impresses.
The dead Christ is considered as one of the masterpieces of Jean Delcour (+1707), leader of Liège Baroque sculpture: inspiration from Bernini, transcendence and intensity of attitudes and feelings, inner breath that even seems to animate the clothes.
Several prince-bishops were buried in the old Saint-Lambert Cathedral. Their tombs were dismantled or destroyed during the Revolution. By bringing some of the preserved remains back into the new cathedral of Liège, the former collegiate church of Saint Paul stands even more like the heiress of Saint Lambert. The Treasury is of course the main element preserved.
In 2000 and 2002, thanks to the Province of Liege, the mausoleums of Velbruck and Georges-Louis de Berghes, 18th century prince-bishops, were rebuilt in the cloister.
The painting on the main altar of the former cathedral illustrates a Marian theme par excellence in a church dedicated to Our Lady, the Assumption. Seized by the French during the Revolution, it was exhibited in the Louvre in the Galerie Apollon before returning to Liège in the new Saint-Paul cathedral: it was luckier than the great painting of the high altar of Saint-Paul, The Conversion of Saint Paul, which ended up by chance in Toulouse.
The shrine of Saint Lambert was built in 1896 for the twelfth centenary of the martyrdom of the patron saint of the diocese to replace the old shrine destroyed during the Revolution, of which only the wooden soul preserved in the Treasury remains. It is a masterpiece of neo-goldsmith's art, a reminder of the great medieval Mosan shrines, attesting to the great mastery of goldsmith's art in Liege as early as the 19th century.
On its sides it tells the whole story of Saint Lambert and the devotion to the relics it encloses.
The baptism of Christ of Carlier is part of what can be called the Liège school of painting, a subtle mix between French classicism and Italian baroque, between Poussin's ancient inspiration and the bright darkness of Caravaggio.
4051 Vaux-sous-Chèvremont (Chaudfontaine)
4400 Flémalle-Haute (Flémalle)