01 April - 31 October
Mon 8.00 - 19.00
Tue 8.00 - 19.00
Wed 8.00 - 19.00
Thu 8.00 - 19.00
Fri 8.00 - 19.00
Sat 8.00 - 19.00
Sun 8.00 - 19.00
01 November - 31 March
Mon 8.30 - 18.00
Tue 8.30 - 18.00
Wed 8.30 - 18.00
Thu 8.30 - 18.00
Fri 8.30 - 18.00
Sat 8.30 - 18.00
Sun 8.30 - 18.00
This window, dedicated to Francis of Assisi, enriches the church interior and invites us to look at creation with renewed attention. Laudato Si reminds us of our responsibility for the earth and emphasises care for people, nature and our common home. The new stained-glass window is a contemporary addition to the 15 existing stained-glass windows from the 19th and 20th centuries that adorn our church.
Restored to mark the 850th anniversary of St. Peter's Church, this polychrome wooden statue of the Madonna and Child (approx. 68 cm) probably dates from the late 14th or early 15th century. The graceful Madonna, the fine folds and the craftsmanship are striking. Originally, the statue was also decorated with so-called cabochons, smooth-cut colourful gemstones without facets, often round or oval in shape. It is the oldest piece of heritage in the church.
The communion rail made by Michiel Clauwaert from Bruges, originally with 4 fixed panels and 3 doors, was extended in 1865 by J. Van Nieuwenhuyse with 4 parts to its current width of 20.26 meters. One can see scenes from the Old and New Testament on the sculpted panels and reliefs with from left to right: Saint John the Evangelist, Madonna and Child, Saint Luke the Evangelist, the Adoration of the Mystic Lamb, a chalice with Communion Wafer surrounded by cherub’s heads, the Liberation of Saint Peter, the consecrated bread and wine with God’s All-Seeing Eye and cherub’s heads, the Ark of the Covenant, Saint Mark, Saint Ursula, and Saint Matthew the Apostle. The most recent panels depict the Four Evangelists John, Luke, Mark, and Matthew.
The Bruges master carpenter Rycquaert Brouckman made this oak confessional in Renaissance style for 53 pounds. Four columns divide the three spaces, covered by a decorative crown molding. The classical composite columns are decorated at the bottom with fantasy birds, leaves, and child figures. The elegant frieze with leaf curls, angels, dolphins, and human faces reminds one of the confessionals in the Saint Stephen’s church in Ghent, but in simplified form. The crowing element is missing in the saint niche. In 2017, all the confessionals were restored by Richardson-Weissenborn from Bruges.
Jacobus van Eynde built this organ in 1717 for 1300 guilders to replace the older instrument from 1665. It has a beautifully sculpted baroque organ case, decorated with angels, vases, and trophies. One can find the date in two oval cartouches above the cross motif.
Important maintenance took place in 1749, 1827, 1857, and 1870. In 1924, it was converted into a pneumatic action by Jules Anneessens. In 1992-93, it was reconstructed in its original style by Verschueren organ construction.
Since 1980, the organ became a protected monument and now belongs to the oldest still played organs in Flanders. Since 1994, annual organ concerts have been organized every August.
The painting by the Bruges painter Jan Maes (? - 1677) depicts Christ handing the keys of the Church to the kneeling Peter. Until the end of the 19th century, it hung above the main altar.
During the restoration in 1768, one discovered another painting underneath the paint : the Adoration of the Shepherds. Elements from the original composition remain visible: a character sitting in the foreground and apostles that look like shepherds. The lines of sight suggest that Maes turned an unfinished Adoration into Christ handing the keys to the Apostle Peter.