01 April - 31 October
Mon 9.00 - 19.00
Tue 9.00 - 19.00
Wed 9.00 - 19.00
Thu 9.00 - 19.00
Fri 9.00 - 19.00
Sat 9.00 - 19.00
Sun 9.00 - 19.00
01 November - 31 March
Mon 9.00 - 17.00
Tue 9.00 - 17.00
Wed 9.00 - 17.00
Thu 9.00 - 17.00
Fri 9.00 - 17.00
Sat 9.00 - 17.00
Sun 9.00 - 17.00
Portal listed in the inventory of historical monuments on March 3, 1986: The humble but nevertheless delicate Romanesque portal of the church is semi-circular, without a tympanum but with an arch falling on right feet. Its archivolt, decorated with a row of acanthus leaves, falls on two tailpieces decorated with billets forming a checkerboard, supported by two capitals resting on thin columns. The capitals are decorated with characters and animals. The details of this portal include many traces of polychromy that give an idea of the colorful brilliance of these decorative elements.
Originally basilica in plan with a semicircular vault, two side vaults and a semicircular apse, the church was burned down during the religious wars. The vaults were replaced by a paneled structure and the pillars that had become useless were probably removed at that time and the Gothic heart with a flat chevet was built. This space is illuminated by a large mullioned window decorated with a 19th century stained glass window depicting the crowned virgin carrying her Child surrounded by Saint Anne and Saint Joseph. The keystone presents Christ in glory, seated on a rainbow and surrounded by musical angels.
The deceased is buried standing upright. It bears the inscription engraved around an escutcheon: "Cy-gist Regnée de Préfontaine, daughter of Jehan de Préfontaine and Catherine de Tavannes, lady of Varchamps, de la Coulonne and de Beaumont in part, who died in September 1527".
The first is like a lion and refers to Mark. The second is like a young bull and is the symbol of Luke. The third has a man's face and represents Matthew. The fourth is like an eagle in flight and represents Jean.
The baptismal font was made from the remains of a funerary monument of René d'Amoncourt, abbot of de la Ferté in the 16th century. The hexagonal pillar is furnished with a double row of niches in which statuettes in high relief representing characters holding phylacteries were placed. On the wall, a stucco glory shows the dove of the Holy Spirit gushing out of the heavenly clouds with three polychrome angels.