01 January - 31 December
Mon 9.30 - 17.30
Tue 9.30 - 17.30
Wed 9.30 - 17.30
Thu 9.30 - 17.30
Fri 9.30 - 17.30
Sat 9.30 - 17.30
Sun 10.00 - 16.00
Carillon concerts each summer on Sunday evenings.
Info : www.beiaardpeer.be our via toerisme Peer.
toerisme@peer.be +32 11 61 16 02
The history of the Giant of the Campine begins around 950 with a small wooden church. In the 11th century, a stone building replaced it, parts of which remain in the east wall. In 1392, the construction of the highest tower in the Limburg Campine was recorded. This fortified tower formed part of the town’s defenses. In 1422, the transept was added, as noted on the Paradise Gate in the south wall.
The tower served as a refuge in wartime, but on May 13th, 1483, around 1,500 Campine citizens were killed in and around it during a battle between G. van der Marck and Jan van Hornes.
In 1572, arson by Austrian troops led to the decline of the gothic church. Spanish mutineers burned it again in 1599, and troops from Lorraine caused further destruction in 1654. Red scorched marl stones in the east wall still show traces of these fires.
Although repairs followed, on July 21st, 1825, a “midge fire” occurred when residents mistook a swarm of midges for smoke and launched a full extinguishing effort. Since then, the people of Peer have been nicknamed “midge extinguishers.”
Between 1840 and 1905, the church was expanded in neo gothic style. A carillon was installed on May 10th, 1992, enlarged in 1997 to become the largest in the country, and inaugurated on May 15th, 1999. Summer Sunday evenings still feature carillon concerts.
Today, the tower also serves as a museum. The second floor displays the mechanical system of the 1875 tower clock; the third shows the restored clock base with the 1641 St. Mary clock; and the fourth houses the carillon with 64 bells.
KIKIRPA : Photo-library online
See the treasures of this church online on Erfgoed Plus
The presbytery contains five 1913 stained glass windows in deep reds and blues, each showing two figures: Alphonsus and Catharina, Philippus and Petrus, Trudo and Joseph, Goderidus and Matthaeus, and the apparition of the Sacred Heart to Margaretha Maria Alacoque. Their colors glow at sunrise. Above the narthex is Saint Trudo with the arms of Peer. Side aisle windows depict Mary’s seven sorrows and seven joys.
Two artworks by local painter Louis Hendrix hang in the presbytery: one showing Jesus’ baptism by John the Baptist, the other depicting Jesus revealing his heart. Both are painted on wooden panels. Hendrix, once a highly sought after religious artist and winner of several prestigious awards, fell into obscurity as the neo Gothic style declined at the end of the 19th century.
Beneath the tower are centuries old statues worth a closer look. A polychrome wooden statue of Jesus from the early 16th century shows him resting on a stone from Golgotha, exhausted before the crucifixion, portrayed with Jewish braids. Opposite stands a 15th century stone Madonna with Child. At the back are 18th century wooden statues and a unique 17th century painting.