02 January - 30 June
Mon
Tue 14.00 - 17.00
Wed 14.00 - 17.00
Thu 14.00 - 17.00
Fri 14.00 - 17.00
Sat 14.00 - 17.00
Sun
01 September - 30 December
Mon
Tue 14.00 - 17.00
Wed 14.00 - 17.00
Thu 14.00 - 17.00
Fri 14.00 - 17.00
Sat 14.00 - 17.00
Sun
After the confiscation of religious property and the expulsion of the Discalced Carmelites, who had been living in rue de Gand since 1620, the chapel became a stable during the French Revolution. It was not until 1856 that the sisters of the Filles de l'Enfant-Jésus congregation restored the building to religious use.
The chapel, listed as a Historic Monument in 1934, became a parish church under the name Sainte-Marie-Madeleine in 1991, after the nearby church of Sainte-Marie-Madeleine, known as the ‘Grosse Madeleine’, was disused.
In response to the decline in attendance at places of worship in Lille in the early 2000s, the nave of the church was refurbished to house a permanent exhibition retracing, in eleven stages, the history of the Catholic faith from Abraham to Martin Luther King.
Translated with www.DeepL.com/Translator (free version)
This monumental altarpiece depicts the Baby Jesus reaching out to the cross offered by the Father, based on the painting by Jacques Van Oost the Younger in Saint-André Church (Vieux-Lille).
Located above the sacristy doors, they overlook small rooms that could be used as chapels for the nuns, who could see the choir.
This Lille figure was a servant from Lille. She founded the Congregation of the Daughters of the Child Jesus to lift the poor out of misery and bear witness to the goodness of Christ. She persuaded the army, which had been occupying the building until then, to give the former chapel of the Discalced Carmelites to her congregation.
The exhibition offers an exploration of Christian culture and the religious roots of our society, with an emphasis on openness to Judaism and Islam.
Two leading figures of the Carmelite Order, which they reformed, dominate the choir:
• Saint Teresa of Ávila (1515–1582), who advocated a return to greater austerity in Carmelite life and founded numerous monasteries of Discalced Carmelites in Spain;
• Saint John of the Cross (1542-1591), whom she called upon to reform the male branch of the order. Both are considered mystics and doctors of the Church.
These stained glass windows, which are not historical, reflect the ideal of austerity of the Discalced Carmelites.
Their classic style decoration highlights the symbols featured in the medallions:
• the instruments of the Passion and the Ave Maria on a blue background,
• alternating with the monograms ‘IHS’ (Jesus Saviour of Humanity) on a red background.
The founder of a religious congregation dedicated to helping the poor out of poverty, she left her mark on the religious buildings of Lille...