Saint-Remacle

The baptismal font from the early 16th century.

Four lions are positioned on the lower corners of the pillar. The four male heads wearing hoods that adorn the basin are a traditional motif and represent the points of the compass and the four rivers of Paradise.

Stained glass windows

The current stained glass windows (1974) are the work of Louis-Marie Londot.

These contemporary stained glass windows bring colour and a contemporary touch to the ogival bays of this building.

The large windows, which bear witness to the flamboyant Gothic style, particularly the shapes of the flames in the bays, are marked by modernity and colours with simple subjects. But the art is still dominated by colours and the artistic richness of their contrast.

Calvary

Calvary from the late 16th century, in gilded wood, finely restored. The Virgin Mary and Saint John on either side of the dead Christ on the cross. The Virgin is standing, head bowed, hands clasped, holding her embroidered cloak. Saint John raises his head towards Christ, his right hand over his heart.

Statue of Saint Margaret of Antioch

Remarkable polychrome sculpture from the school of Jean Del Cour (circa 1700): this is the art of drapery: there is something ethereal, shimmering, quivering about it; the fabrics are never heavy; long, continuous pleats are rare, as are sharp edges.

Statue of God the Father

Statue of God the Father carrying the body of the dead Christ on his lap. This theme is rarely depicted in Christian iconography. The Virgin is usually depicted with her dead son in her lap (piéta).

Marques de tâcherons

De nombreuses marques gravées dans la pierre étaient des repères quant au mode d'assemblage des pierres et à l'identité des ouvriers les ayant façonnées.