9150 Bazel (Kruibeke)
01 March - 30 September
Mon 10.00 - 17.00
Tue 10.00 - 17.00
Wed 10.00 - 17.00
Thu 10.00 - 17.00
Fri 10.00 - 17.00
Sat 10.00 - 17.00
Sun 10.00 - 17.00
01 October - 28 February
Mon 10.00 - 16.00
Tue 10.00 - 16.00
Wed 10.00 - 16.00
Thu 10.00 - 16.00
Fri 10.00 - 16.00
Sat 10.00 - 16.00
Sun 10.00 - 16.00
A roman oratory that according to lost records already existed before 964 made way around 1364 for a gothic cruciform church with lantern tower.
When the age-old parish of Bazel was added in 1559 to the Gent Diocese, the first big renovations to the church started. In this period, the transepts were added and the choir was renewed. The iconoclasts however caused a lot of damage between 1578 and 1587. In the course of the 17th century repairs started and the church was further adjusted to the esthetics of the high gothic e.g. by replacing the wooden barrel vaults in the ship with gothic stone rib vaults. As a result, the original roman top lights and murals were hidden. In the 17th century the church was further equipped with side aisles which were already renewed and extended in the course of the second half of the 17th century.
In 1879 the presbytery was completely burnt down. One combined the renovations with an extension to the church so as to meet the needs of the increased number of churchgoers. The design of the new church was supplied by architect P. Van Kerckhove, master builder of the city hall of Sint-Niklaas. The front of the church was demolished and was rebuild one bay further back. Moreover, the gothic stone vaults were placed 2 meters higher so that the interior appears much more spacious. The Saint Peter church still exists more or less in this form.
The interior and furniture of the church is very artistic and for the greater part financed by the parishioners. Several objects such as the pulpit and the confessional box are a creation of two well-known 18th century sculptors and woodcarvers from Temse: Adriaan and Filip Nijs. Furthermore, the classicistic paneling, the neogothic altars and the choirs stalls are worth taking a look at.
KIKIRPA : Photo-library online
Heritage bank Waasland
Film impression Saint-Peter church Bazel
The pulpit (1727) with the figure of St. Peter, patron saint of the parish, is attributed to the artist Adriaan Nijs and the cabinetmaker Martinus van Caster. On the cockpit are medallions with busts of Our Lady, Christ and St. John the Baptist, between the symbols of the 4 evangelists: the ox, symbol for Luke; angel, symbol for Matthew; eagle, symbol for John and lion, symbol for Mark.
At the beginning of the staircase we see herms of St. John the Baptist and Moses.
In the chancel lies the tombstone of Servaas van Steelant, bailiff of the Land of Waas, who died at the castle Wissekerke in 1607. During the last restoration (1998-1999) it was decided not to bury the tombstone under the floor again as was done during the repairs in 1879, when the new red floor of Rupelmond brick was laid.
As court lady of Empress Marie-Louise - Napoleon's second wife - Zoé de Feltz maintained a friendly relationship with the emperor and his wife. At the baptism of their son - the king of Rome - in 1811 she held a special place. While Princess Aldobandini was holding the baptismal cap, the countesses Vilain XIIII and the Beauveau were holding the water jug and the salt vessel. On this occasion Napoleon gave Zoé de Feltz a keepsake: the parure of golden earrings and a golden necklace set with amethysts surrounded by small brilliants. On 15 May 1852 - one year before her death - Zoé donated the jewellery to the church in Basel. A replica is exhibited here.
In front of the altar of Our Lady and next to the main altar is the baptismal font. This baptismal font consists of a hard stone tub and shaft, with a copper lid and is from the 17th century. The accompanying hingework (turret) is from the 18th century and is executed in beautiful ironwork.
In front of the right side altar, the Saint Peter's altar, stands a piece of the communion bench (oak), left over after the fire of 1879. This communion bench was made by Adriaan Nijs and dates from 1730. Pieter Stuer, inhabitant of Basel, who died in 1730, had donated the money needed to make a communion bank. It is a fragment that depicts the Lamb of the Apocalypse in a wreath of rays and clouds together with Eucharistic symbols.
The "tourist corner" at the back of the church has grown out of an initiative of "De Ghesellen van Sint Pieter" who made a cd-rom with reconstructions and with a virtual walk through the church and its hidden places, such as the vaults and the tower. This CD-ROM can be viewed on the screen. You can navigate through the contents with the controls on the swivel arm. For the study of the tower, the model was made. It has been executed to reality on scale 1/10. On the other side of the entrance you will find a series of plans of the church from 1879. They give a picture of the church before and after the fire of 1879. At that time, major changes were made to the building.
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